电影院 & Coke zero

电影院是个有几分神奇味道的地方。当灯光暗下、屏幕亮起的时候，想象力就可以自由飞翔。没有什么是不可能的，猪可以飞，天上可以掉馅饼，王子和公主可以从此幸福地生活在一起。所以导演们（乃至其他各类艺术家们）是幸福的，他们可以书写自己想要的故事，而我们，只能选择从他们的故事里读出自己想要的部分。

杉本博司（Hiroshi Sugimoto）拍过一个《剧院》系列，在书里，他是这样说的：

“I am a habitural self-interlocutor. One evening while taking photographs at the American Museum of Natural History, I had a near-hallucinatory vision. My internal question-and-answer session leading up to this vision went something like this:"Suppose you shoot a whole movie in a single frame?" The answer:"You get a shining screen." Immediately I began experimenting in order to realize this vision. One afternoon I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture. When the movie finished two hours later, I clicked the shutter closed. That evening I developed the film, and my vision exploded before my eyes.”

曝光两小时拍下全剧的照片到底是一张空白还是把整部电影都包含在其中了呢？后来他拍了空无一人的剧院，因为是空的，反而允许无数电影在其中上映。空有时候反而蕴涵了更多。太具象的东西是给自己的，而空白却能让更多的人生出同感。不过如果能够把创作权掌握在自己手里的时候，我还是宁愿放进更多只有自己才懂的东西。会写东西拍照片画画跳舞的人都是幸福的。